“Twilight: Gods,” as the production is called, is the brainchild of Yuval Sharon, who premiered it last October in Detroit, where he had just been named artistic director of Michigan Opera Theater.
It’s a reimagining of “Götterdämmerung,” the final installment in Wagner’s four-part saga of gold, greed and the downfall of the gods. Using his own English translation, Sharon has distilled the four-hour-plus opera down to six episodes lasting just over an hour all together.
“He came to me with this amazing, wonderful, crazy idea,” said Anthony Freud, Lyric’s general director. “The cancellation of our ‘Ring’ … certainly made it seem particularly appropriate. There’s great excitement around it.”
So much so that all three performances, April 28-May 2, sold out almost immediately, as had all the Detroit shows. Still, the total audience for “Twilight: Gods” will be a fraction of the number who could watch a single performance in the Lyric Opera House, which has a seating capacity of 3,276.
But for now, the house remains closed to live opera, as do other major houses in the U.S., including New York’s Metropolitan Opera. Many companies have instead reached out to audiences by streaming new content and videos of past performances or presenting opera in outdoor venues.
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picture: This image released by the Lyric Opera of Chicago shows 2,880 battery-powered candles arrayed in an underground parking garage in this scene from Lyric Opera’s “Twilight: Gods,” an adaptation of Wagner’s “Göttertdämmerung” in Chicago. (Kyle Flubacker/Lyric Opera of Chicago via AP) KYLE FLUBACKER AP