The AFAC – Netflix Hardship Fund is an emergency relief fund that aims to support the film and TV community in Lebanon, primarily below-the-line crew, craftspeople, and freelancers who are facing economic hardship resulting from the disruption of normal life, halts in productions, and little to no opportunities in the industry.
This practical guide highlights emergency measures that have been deemed effective and beneficial, assesses emerging trends, identifies new and existing gaps and offers practical advice to help policymakers position the cultural and creative industries in social and economic recovery plans.
This ICRRA conference examines the state, shape and role of international cultural relations at a time of global crisis.
The AMA Arts Marketing Festival is built to be experienced entirely online; a space to reflect on challenges, recognise success, and process a year unlike any other.
1 – 2 December 2020
If you are a professional from the Cultural and Creative Sectors interested in starting an entrepreneurial journey, fill out the survey to help the program become more relevant to the current needs.
How do different metropolises deal with the corona pandemic and the value of arts & culture in these cities?
The Impact of COVID-19 on the Gallery Sector.
The objective of this initiative is to establish a space for intersectoral collaboration and for plural and transparent dialogue between the citizens and the Government of Jalisco and the City Councils to give attention to the needs of the cultural sector and cultural communities in the face of the social and economic emergency derived from COVID-19 .
A gathering of Mayors from global cities who will share learnings from the pandemic, and make the case for culture in recovery
Res Artis and UCL have released an analytical report of a survey examining the impact of COVID-19 on the international arts residencies field.
Amid the coronavirus pandemic, projects that have a vital digital component are suitable to apply for these grants.
Through Together Alone open call, The Finnish Institutes’ network seeked artistic proposals related to the state of emergency, radical change, resilience, artistic practice in the future. At the same time the project acts as a documentation of one of the major social upheavals, gives the artists an opportunity to reflect it through their work, rethink ways of outreach and develop new practices.
What course will the development work and training of audiences take from now on? How will the wide range of digital content affect viewers’ habits?
ResiliArt Debate organized by UNESCO and CISAC. September 30th, 2020 (14h-15h30, Paris time)
Due to the COVID-19 health crisis and social distancing measures, this activity will be totally digital. It
comprises a series of seven webinars, four roundtables and one workshop, as well as digital B2B meetings
through an especial digital platform.
This survey follows on from a 2016 report, Digital Transformation in the Museum Industry, although this year, the survey examines how the industry has adapted to the challenges presented by Covid-19 and how this has shifted the priorities of the organisations.
Ars Electronica 2020 is a journey to measure the “new” world and a journey through “Kepler‘s Gardens“, which are located in Linz at the JKU Campus and at 120 other locations worldwide. September 9-13, 2020.
This webinar discusses the ways that heritage conservation learning has continued during the pandemic by highlighting the challenges facing this practical field and the learning opportunities for today and the future.
The third webinar of the ASEFPDT series this year will explore current issues in conversation with diplomats and cultural professionals.
Following the European Parliament CULT Committee’s meeting with the German Presidency of the Council of the EU on the 1st of September and in the run up to the vote on the Parliament’s resolution on “Cultural recovery of Europe”, IETM calls on the European institutions and the Member States to pay attention to the some issues.
Little by little, festivals have been forced to postpone and, in worst case scenarios, to cancel their edition leading to economic difficulties and uncertainty for the future.
An initiative by Bandcamp where the Bandcamp community showed up in a massive way, spending $4.3 million on music and merch—15x the amount of a normal Friday— helping artists cover rents, mortgages, groceries, medications, and so much more.
United Nations together with Talenthouse, an open source creative platform offering opportunities, great art, and connection with emerging creators from around the world, responded to COVID-19 crisis by giving visibility to artists.
ITAC5 will take place September 14~17, 2020 virtually, hosted by Korea Arts and Culture Education
Service.
The World City Culture Forum’s first Impact on Culture in World Cities and Policy Bulletin summarises what we know so far.
Part 1: Documenting the Initial Measures and Drafting Challenges Ahead, a report by Agenda 21 for Culture.
A new call for book chapters, related to the prevailing topic of the moment, the COVID-19 pandemic and its consequences for creative industries.
Perspectives from the Festival Cities Network on the impacts of COVID-19 on international festivals and policy, a webinar.
UNESCO campaign challenges our perceptions of what back to normal should mean in the post-COVID-19 era.
MMF is gathering evidence of the impact COVID-19 has on the music makers and their representatives.
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