As we slowly emerge from the COVID crisis , attention to fashion allows us to rediscover meaning and pleasure in the world.
A 4-day event focused on professional and creative development, industry knowledge and connections to potential future work opportunities.
The COVID-19 pandemic has not only affected health and economic sectors, but it has also strongly affected the cultural sector. Culture as the fourth pillar of sustainable development is the fundamental aspect in recovering better and stronger from COVID-19 in Asia Pacific cities and local governments. Therefore, there is an urgent call to tackle the matters of culture in cities, as it serves as an antidote to the secondary effects of the pandemic.
Emerging First Nations musicians, new Australian works by younger artists, regional artists and literature projects are among the recipients of the latest round of arts projects grants supported by the Australia Council.
2020 marked a pivotal shift for the Chinese diaspora around the world. The world’s watchful eye on the People’s Republic of China, where the COVID-19 pandemic started, and subsequent travel restrictions, communication bans, and algorithmic biases only exacerbated echo chambers.
In research terms, a convenience sample is a group of folks who feature in a study because—well, they happened to be there. Convenience samples do not permit truly random assignments of individuals into the cohorts being studied. For this reason, it is impossible to apply the study results to the general population, or to make claims about statistical significance.
Registration is open for a webinar on ‘Building Back Better with the Creative Economy’ on 17 June, organised in partnership with UNCTAD, UNESCO and DG Wallonie Bruxelles in Geneva. It has been developed for International Geneva, in the framework of the International Year of the Creative Economy for Sustainable Development.
SAAI Factory invites artists, designers, coders, technologists and creatives from all disciplines to explore artificial intelligence as a means and field of artistic practice.
The UNESCO Institute for Statistics (UIS) has released the first set of data for Indicator 11.4.1 related to culture for the Sustainable Development Goal (SDG) Agenda 2030.
The 2022 Geumgang Nature Art Biennale aims to create a new discourse in nature art around the rewilding of nature and art, and calls for artworks under the theme of ‘Again, Multiplicities of Rewilding’.
Check out the main results of the research Impacts of Covid-19 in the Brazilian cultural and creative sectors carried out in partnership by the University of São Paulo (USP), Unesco, Sesc, secretaries of culture, state foundations and institutions linked to culture, between 10 June and 31 August 2020, in all states of the country and the Federal District.
ASEF and ENCATC are jointly organising on Friday 28 May the conversation titled: “Cultural mobility in the new normal: how can we support knowledge exchange and mentoring of young arts professionals?” This talk is organised as part of the virtual residency for arts journalists Virtual Crossovers, and will present innovative ways to support knowledge exchange and capacity building in times of restricted mobility.
Here you can see the website of the #culture2030goal campaign. It is formed by global cultural networks united to advocate for the role of culture in sustainable development.
The creative and cultural industry has played an essential role the world over throughout the COVID-19 pandemic and deserve more support moving forward, the President of the General Assembly said on Friday.
More than $3 million will flow under the third batch of the Australian Government’s COVID-19 Arts Sustainability Fund, to support two leading Arts organisations hit hard by the pandemic.
The year 2021’s International Museum Day is themed on “The Future of Museums: Recover and Reimagine,” which aims to share ideas on how museums should face and adapt to the multiple challenges during the pandemic and actively explore new directions and models for museum development in the future.
Today’s world faces unprecedented crises: climate change, COVID-19, social diversity and equity issues no matter where we are. As research in arts education has demonstrated
the social value, impact and role of arts education in various ways, UNESCO-UNITWIN Symposium gathers artists and scholars to discuss how principles and practices of arts education can contribute
profoundly to resolving the social and cultural challenges facing today’s world, as stated in the
Seoul Agenda’s development goal no.3.
Government support for the cultural sector to help it recover from the impact of COVID-19 has resulted in more cultural sector jobs predicted through to 2026, and the sector performing better than forecast.
As film, television and digital games projects spring back from the global COVID hiatus, the Victorian Budget 2021/22 will provide a record $120.7 million for an ambitious strategy to supercharge Victoria’s $2.2 billion screen industry; growing jobs, strengthening screen businesses and bringing local content to screens worldwide.
The first activity of SAPPORO TENJINYAMA ART STUDIO that appeared in the public realm in May 2014 included the Artist in residence (hereafter AIR), and it coincided with the Sapporo International Art Festival held in the same city. In 2021, in accordance with measures to prevent the spread of the novel coronavirus, AIR is accepting remote participation (online residency) where the physical presence of the overseas artists is not required.
COVID-19 crisis has had damaging effects on cultural and creative sectors around the world, Brazil has not been spared. This research presents the results of a survey on the perception of Brazilian cultural and creative actors regarding the impacts of COVID-19 on their professional activities.
Europe’s most iconic music venues are teaming up with public radio stations all over the world to celebrate Europe Day through music, culture & creativity.
The program ‘Now water can flow or it can crash, my friend: Fluid archives of active discontents from East Asia and beyond’ consists of a series of online/offline roundtable discussions, interactive workshops, screenings and lectures to explore notions of art, archive, and activism in the context of East Asia and beyond – kicking off with a digital launch. The series is realized by Framer Framed in collaboration with ASCA/University of Amsterdam.
#MuseumWeek is the first worldwide cultural festival on social media. For seven days, cultural and public institutions will be invited to show creativity with their smartphones on the occasion of this eighth edition.
Cirque du Soleil Entertainment Group (“Cirque du Soleil”), the world’s leading producer of high-quality live entertainment, marks a milestone moment in the company’s history.
The Singapore International Foundation (SIF)’s Arts for Good (A4G) Projects is a programme that brings together artists and different sectors of society to collaborate on arts-based initiatives for social good.
The COVID-19 situation continues to impact the arts and culture scene globally. At the SIF, they remain committed in their support towards arts practitioners and their initiatives.
World Cities Culture Forum’s sixth COVID-19 Impact and Policy Bulletin looked at how COVID-19 is affecting climate action plans for culture and found three main areas of impact.
Solidarity Sky is a virtual community driven artwork with the aim of bringing people together through sharing personal images of the sky. Creatives Unite sat down with its creators, Luke Conroy and Anne Fehres, to get more insight into this unique project.
Brand new commissioned series “Rewritten: The World Ahead of Us” features text-based artworks nestled in eight nature parks across Singapore. Artists invite the public to imagine a post-pandemic future through their creative expressions of hope and resilience.
Almost $15 million will flow immediately to support thousands of jobs in the arts and entertainment sector, as it continues to come back from the impacts of COVID-19, under the second tranche of grants from the Australian Government’s $200 million Restart Investment to Sustain and Expand (RISE) Fund.
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