This new, corona-proof edition will take place in the form of a digital festival and has as baseline ‘CTRL ACT DELETE’, asking itself the following question: “How can the media and cultural sectors reinvent themselves today?”
The main results of the video conference of culture and audiovisual ministers that took place on December 1st, 2020.
The European Commission and stakeholders published a new study that sheds light on the status and working conditions of artists, cultural and creative professionals. The study looks at characteristics of employment of artists and cultural and creative professionals in EU Member States with regard to several topic, including the measures countering the Covid crisis.
Taking the opportunity of the coming 4th [Open] Club day on February 6th, 2021, Live DMA calls every music enthusiast to join forces & make this edition of [Open] Club Day a symbol of resilience and solidarity.
In the face of the disastrous effects of the pandemic, the “survival instinct” may have triggered an important window of opportunity for the entire CCS.
The 2020 edition of Creative Forum Ljubljana will take place in the midst of this turmoil, where the world has changed and so had the Forum. It will delve into the debate by addressing the critical need to bring culture and creative industries closer to the traditional ones in order to be a win-win scenario for the future.
This Declaration, co-written by IETM, explores the unique value of theatre and the performing arts, addresses the urgency of establishing a pan-European focus on these sectors, underlining the impact of Covid-19 and current key challenges. It describes the way to go by putting forward eight policy recommendations and actions to be taken starting from 2021 to strengthen and support these sectors.
Huge financial loses and working with ever-changing and unpredictable conditions are just some of the many challenges venues are facing today.
When it comes to artistic mobility, the average number of concerts with young talent organised per venue went down from 36 (last season pre-corona) to 18. This represents a 47% decrease.
This article intends to give practical information on the EU’s NextGenerationEU Recovery Plan and ways for the Cultural and Creative Sectors (CCS) to access such EU funds.
An analysis of the early measures and policies developed by five smaller and medium-sized European countries (the Czech Republic, the Netherlands, Portugal, Slovenia, Switzerland) in response to the global COVID-19 pandemic.
A dialogue as part of the European Literature Festival where writers and translators from various European countries participate in readings, lectures, dialogues, and panel discussions with Japanese intellectuals.
The city of Heidelberg, together with actors from the creative industries, launched the “Show us!” Campaign. During the campaign, the colorful posters are spread all over the city and in the social media, as a reminder of compliance with the AHA rules and regular ventilation.
How can art and culture professionals survive the corona crisis and what can politics do to support them? Hamburg’s Senator for Culture, Carsten Brosda, and IZ director Jagoda Marinic talked about this at the Lockdown Conversations on the subject of “Corona – State of Emergency for Culture”.
Representatives of music venues in different European regions, discuss the impact of the pandemic to the live music scene in their specific region, also sharing thoughts and insights on how to go forward to maintain a healthy live music scene.
This publication explains straight to the point what live music organisers are going through since March 2020 and points to the open wounds that urgently need to be taken care of.
This book collects observations and reflections from the Distributed Design Platform and extended community. It aims to give shape to the experiences of designers and makers across Europe and throughout the globe during the COVID-19 pandemic.
Global music policy leaders Sound Diplomacy launch the #BetterMusicCities campaign – a call to action to ensure music is at the heart of recovery in cities around the world.
The second wave of Covid-19 has hit Europe hard, and music venues throughout the continent are certainly not spared.
Arts Council Malta has launched a new research study investigating the changing relationship between Public Cultural Organisations and audiences to cultural events in light of the ever-changing public health situation over the past months.
An ongoing project that aims to capture the spirit of the new realities brought on by Covid-19 through the mind of confined cultural practitioners. It stems from the need to ask questions and seek new ways in which to work in the future.
The Network of European Museum Organisation (NEMO) is publishing a follow up survey after its first survey on the impact of COVID19 on museums from May 2020, putting a focus on the issues that have emerged during the crisis.
In times of uncertainty, it is needed to stay aware of the present. Aiming to better understand what is happening now in order to anticipate future behaviour, The Power House, an innovation agency for FashionTech and wearable technology, interviewed people from different disciplines, who have innovative and entrepreneurial spirits, to learn about how they are dealing with the present crisis, and how they are adapting to face the future.
Culture Action Europe (CAE), the European Cultural Foundation, and Europa Nostra are coordinating the European Heritage Alliance and organising the online debate “A Cultural Deal for Europe” that will be held on 18 November 2020 from 15h00 to 17h00 CET.
Europeana 2020 builds on the momentum arose from this crisis to explore how to develop an open, knowledgeable and creative society.
The state institution of Journalism Lab in North Rhine-Westphalia has announced a one-time special price for local online media during the COVID-19 pandemic.
Back in July, German scientists were planning a 4,200-person experimental concert to gain a better understanding of COVID-19’s transmission risk. Now, these researchers have determined that music concerts are safe with masks and proper ventilation.
The Festival Academy calls for applications for the third of their series of Online Trainings. Applications close by 10 November 2020.
In the open letter, published on October 30, 2020, Culture Action Europe, along with other 109 pan-European cultural networks and associations calls the European Union (EU) and EU member states to protect culture as part of the coronavirus recovery plans and dedicate at the very least 2% of national Recovery and Resilience Facility (RRF) budget to culture and creative sectors.
Pearle* calls for EU and Member States to provide targeted support through the EU recovery package.
The team behind the Europeana XX project share insights from their recent interview with European Commissioner Mariya Gabriel, one of the project’s Ambassadors of Change, who shared her thoughts on the opportunities and challenges facing the cultural heritage sector in the time of COVID-19.
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