
OECD online policy webinar series
Increasing the job creation potential of Cultural and Creative Sectors & SPOTLIGHT: Covid-19 and Music & the Night Time Economy, in collaboration with Glasgow City Region and Sound Diplomacy.
Increasing the job creation potential of Cultural and Creative Sectors & SPOTLIGHT: Covid-19 and Music & the Night Time Economy, in collaboration with Glasgow City Region and Sound Diplomacy.
This report gives information about the live music associations’ main priorities for 2021 and what actions they need and expect from governments in response to Covid-19.
Jason Rackham, MD of [PIAS] UK, created and led the campaign to help independent record stores during the coronavirus (Covid-19) crisis. What started as a social media campaign has grown into a successful international movement.
These are the first 3 parts of a series of articles written by Shain Shapiro, Group CEO of Sound Diplomacy, about the future of music ecosystems in a post-pandemic world. The objective is to demonstrate that no matter where you live, 2021 can be a great year.
What has worked well and what is the future for online/hybrid festivals and events? Part of the new series of the six public live webinars organised by EJN.
A handy Covid-19 Risk Assessment generator in order to cover the most basic requirements.
Collective Singing is an important part of culture and the economic
ecosystem, and an essential part of many people’s lives.
The findings of the latest study, titled ‘Impact Analysis: Live Music and its Venues and the South African economy during COVID-19’ commissioned by the South African Cultural Observatory (SACO).
The participants in this panel discussion, who manage different clubs in Europe, will share their experiences and visions for how to continue programming in the current context. This panel discussion is part of the program of the JAZZ I AM – the annual international jazz meeting.
What can we do to re-build communities through music during and after covid-19?
The A to JazZ Talks music conference is part of the A to JazZ Festival that has been addressing the problems and challenges facing artists and cultural operators in the field of music for 3 years now. Its current edition that took place on December 4th, was focused entirely on the consequences of the corona crisis on the music sector in Europe and in Bulgaria.
Nine months after the start of the Covid-19 crisis, with most of Europe at varying stages of second wave lockdown and gradual deconfinement expected, IMPALA’s Covid-19 Task Force has issued a new call for action.
Taking the opportunity of the coming 4th [Open] Club day on February 6th, 2021, Live DMA calls every music enthusiast to join forces & make this edition of [Open] Club Day a symbol of resilience and solidarity.
Huge financial loses and working with ever-changing and unpredictable conditions are just some of the many challenges venues are facing today.
When it comes to artistic mobility, the average number of concerts with young talent organised per venue went down from 36 (last season pre-corona) to 18. This represents a 47% decrease.
Representatives of music venues in different European regions, discuss the impact of the pandemic to the live music scene in their specific region, also sharing thoughts and insights on how to go forward to maintain a healthy live music scene.
This publication explains straight to the point what live music organisers are going through since March 2020 and points to the open wounds that urgently need to be taken care of.
Global music policy leaders Sound Diplomacy launch the #BetterMusicCities campaign – a call to action to ensure music is at the heart of recovery in cities around the world.
The second wave of Covid-19 has hit Europe hard, and music venues throughout the continent are certainly not spared.
Back in July, German scientists were planning a 4,200-person experimental concert to gain a better understanding of COVID-19’s transmission risk. Now, these researchers have determined that music concerts are safe with masks and proper ventilation.
Musician and sound artist Dave House, aka The Reverse Engineer, kicks off the series Hidden Door on 14th October with Iterations, a project that will see him invite six different kinds of artists to explore how Covid-19 restrictions have affected their creative process, output and mental health.
Liveurope have joined forces with 25 other organisations from across Europe’s cultural and creative sectors to address a letter to European Commissioners Thierry Breton (Internal Market) and Paolo Gentiloni (Economy) regarding the EU’s flagship investment programme InvestEU.
An initiative where artists and creative workers from UNESCO Creative Cities Network respond to global crisis with video messages.
“Coronline” is a project of the city of Heidelberg to support Heidelberg’s economy and culture during the COVID-19 crisis.
This map contains the basic material needed to have an overview of the current state of the live music sector in 16 European countries, based on the information provided by Live DMA members.
A catch up with three different venues in three different countries to talk about the current state of affairs, their take on the role of mobility for live music, and their hopes for the future, as well as the experience of being a musician in the year 2020.
The Global Nighttime Recovery Plan is a collaborative, practical guide for cities.
This short report gives an overview on the impact of Covid-19 on 2,600 live music venues and clubs represented by Live DMA and its members.
The Covid-19 round of the Do It Differently Fund recognises that musicians are having to work in innovative ways due to the restrictions around social distancing.
In the Corona crisis, numerous associations in the music industry appeared together for the first time. Now music companies and independent labels, publishers, organizers, club operators and the musical instrument and equipment industry want to consolidate this alliance – but without founding a new umbrella organization.
Innovative support scheme for a sustainable music ecosystem.
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